Everything In Moderation

I painted Everything In Moderation during a time when I was thinking about extremes.

I noticed how often things feel pulled too far in one direction — effort without rest, intensity without pause, certainty without space. When that happens, something begins to feel strained, even if the intention is good.

While I was painting, I found myself working with opposing elements. Strong red tones and cool blues moved toward each other, not to cancel one another out, but to meet. At the center, the colors softened into white.

I wasn’t trying to make a statement or offer a rule. I was paying attention to where things begin to feel calmer — not at either edge, but somewhere in between.

That’s where Everything In Moderation came from.

Available editions:

Open Edition
Limited Edition
Hand-Embellished Limited Edition